George Frideric Handel by Balthasar Denner

''Acis and Galatea'' ( HWV 49) is a musical work by George Frideric Handel with an English text by John Gay. The work has been variously described as a

serenata In music, a serenade (; also sometimes called a serenata, from the Italian) is a musical composition or performance delivered in honor of someone or something. Serenades are typically calm, light pieces of music. The term comes from the Italia ...

, a

masque The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masq ...

, a pastoral or pastoral opera, a "little

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...

" (in a letter by the composer while it was being written), an entertainment and by the

New Grove Dictionary of Music ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theo ...

as an

oratorio An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is ...

. The work was originally devised as a one-act masque which premiered in 1718. Handel later adapted the piece into a three-act serenata for the Italian opera troupe in London in 1732, which incorporated a number of songs (still in Italian) from

Aci, Galatea e Polifemo Aci, Galatea e Polifemo ( HWV 72) is a dramatic cantata—also called a serenata—by George Frideric Handel. It was first performed at Naples on 19 July 1708; the completed score is dated to 16 June 1708. The serenata was commissioned by Duche ...

, his 1708 setting of the same story to different music. He later adapted the original English work into a two-act work in 1739. ''Acis and Galatea'' was the pinnacle of pastoral opera in England. Indeed, several writers, such as musicologist Stanley Sadie, consider it the greatest pastoral opera ever composed. As is typical of the genre, ''Acis and Galatea'' was written as a courtly entertainment about the simplicity of rural life and contains a significant amount of wit and self-parody. The secondary characters, Polyphemus and Damon, provide a significant amount of humor without diminishing the pathos of the tragedy of the primary characters, Acis and Galatea. The music of the first act is both elegant and sensual, while the final act takes on a more melancholy and plaintive tone. The opera was significantly influenced by the pastoral operas presented at the

Theatre Royal, Drury Lane The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Dr ...

during the early 18th century.

Reinhard Keiser Reinhard Keiser (9 January 1674 – 12 September 1739) was a German opera composer based in Hamburg. He wrote over a hundred operas. Johann Adolf Scheibe (writing in 1745) considered him an equal to Johann Kuhnau, George Frideric Handel and Georg ...

and Henry Purcell also served as influences, but overall the conception and execution of the work is wholly individual to Handel. ''Acis and Galatea'' was by far Handel's most popular dramatic work and is his only stage work never to have left the opera repertory. The opera has been adapted numerous times since its premiere, with a notable arrangement being made by

Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition r ...

in 1788. Handel never gave the work in the form in which it is generally heard today, since it contains music which, while by Handel, was never added by him.

Composition history

Handel composed the first version of ''Acis and Galatea'' while he was living at

Cannons A cannon is a large- caliber gun classified as a type of artillery, which usually launches a projectile using explosive chemical propellant. Gunpowder ("black powder") was the primary propellant before the invention of smokeless powder dur ...

(the seat of James Brydges, 1st Duke of Chandos) during 1717–1718. It was Handel's first dramatic work in the English language and was clearly influenced by the English pastoral operas of

Johann Ernst Galliard Johann Ernst Galliard (?1666/?1687–1749 ) was a German composer. Galliard was born in Celle, Germany to a French wig-maker. His first composition instruction began at age 15. Galliard studied composition under Jean-Baptiste Farinel, the direc ...

and

Johann Christoph Pepusch Johann Christoph Pepusch (1667 – 1752), also known as John Christopher Pepusch and Dr Pepusch, was a German-born composer who spent most of his working life in England. He was born in Berlin, son of a vicar, and was married to Margherita de ...

, of whom the latter worked with Handel at Cannons. The work is set to a libretto by John Gay which is based on

Ovid Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the th ...

's ''

Metamorphoses The ''Metamorphoses'' ( la, Metamorphōsēs, from grc, μεταμορφώσεις: "Transformations") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his ''magnum opus''. The poem chronicles the history of the ...

'', xiii (see

Acis and Galatea (mythology) Acis and Galatea (, ) are characters from Greek mythology later associated together in Ovid's ''Metamorphoses''. The episode tells of the love between the mortal Acis and the Nereid (sea-nymph) Galatea; when the jealous Cyclops Polyphemus kill ...

), and there is some uncertainty as to whether he was the only author of the text. The structure of the writing indicates that the original work by Gay was intended for only three characters and that the text for more characters was added later, possibly by John Hughes or

Alexander Pope Alexander Pope (21 May 1688 O.S. – 30 May 1744) was an English poet, translator, and satirist of the Enlightenment era who is considered one of the most prominent English poets of the early 18th century. An exponent of Augustan literature, ...

whose writings were added to the work's text. The libretto also borrowed freely from

John Dryden '' John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate. He is seen as dominating the literary life of Restoration England to such a point that the per ...

's English translation of Ovid published in 1717, ''The Story of Acis, Polyphemus and Galatea''.

Performance history

''Acis and Galatea'' was first performed in the summer of 1718 at Cannons with local tradition holding that the work was performed outside on the terraces overlooking the garden. This is the period in which the gardens at Cannons were being extensively 'improved' with water features that included an impressive ''jet d'eau'', and so the choice of ''Acis and Galatea'' at this time, given that the conclusion requires a fountain, seems particularly apt. It is not clear whether the original performance was staged, semi-staged, or performed as a concert work. The Cannons version included only five singers – a soprano, three tenors and a bass – who not only sang the principal roles but also served as the "chorus". This version contained the character of Coridon who was subsequently deleted from later versions. Aside from the aria "As when the dove," which is a reworking of "Amo Tirsi" from Handel's cantata ''

Clori, Tirsi e Fileno ''Clori, Tirsi, e Fileno, Cantata a tre'' (HWV 96), subtitled ''Cor fedele in vano speri'' ("A faithful heart hopes in vain"), is a 1707 comic cantata by George Frideric Handel. The subject is a pretty shepherdess who loves two young men, but los ...

'', all of the music was original to this production. Perhaps the best-known arias from this piece are the bass solo: "I rage, I melt, I burn" and the tenor aria "Love in her eyes sits playing". The instrumental music for this first version was orchestrated for a minimum of seven players (basso continuo, strings, and oboes doubling recorders, however it is possible that the violins were doubled to add a fuller sound, and some early copies may indicate the use of a bassoon). The opera was first published in 1722, and enjoyed a number of amateur performances in England from as early as 1719. The work was not revived again professionally until 1731, when one performance was given in London without Handel's involvement. The following year, a staged production of the work was put on by

Thomas Arne Thomas Augustine Arne (; 12 March 17105 March 1778) was an English composer. He is best known for his patriotic song " Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of '' The Beggar's Opera'', wh ...

and

John Frederick Lampe John Frederick Lampe (born Johann Friedrich Lampe; probably 1703 – 25 July 1751) was a musician and composer. Life Lampe was born in Saxony, Germany but came to England in 1724 and played the bassoon in opera houses. In 1730, he was hired by ...

at the Little Theatre in the

Haymarket Haymarket may refer to: Places Australia * Haymarket, New South Wales, area of Sydney, Australia Germany * Heumarkt (KVB), transport interchange in Cologne on the site of the Heumarkt (literally: hay market) Russia * Sennaya Square (''Hay Squ ...

. The production starred Thomas Mountier as Acis and

Susannah Maria Cibber Susannah Maria Cibber (née Arne; February 1714 – 30 January 1766) was a celebrated English singer and actress. She was the sister of the composer Thomas Arne. Although she began her career as a soprano, her voice lowered in the early part of ...

as Galatea. Arne advertised the work as "with all the Grand Chorus’s, Scenes, Machines, and other Decorations; being the first Time it ever was performed in a Theatrical Way'." The Little Theatre's production was highly successful and Handel, somewhat annoyed by the way Arne had promoted the production, retaliated by adapting the work substantially into a three-act ''

''. This revised version incorporated a significant amount of music from his cantata ''

'' (1708), as well as other music from further Italian cantatas and his Italian operas. The arias "Un sospiretto" and "Come la rondinella" were adapted from his cantata ''Clori, Tirsi e Fileno''. The revised version was performed in a concert format in 1732 by the Italian opera in London and, according to Handel, included "a great Number of the best Voices and Instruments". The work was advertised on posters saying the following, "There will be no Action on the Stage, but the Scene will represent, in a Picturesque Manner, a rural Prospect, with Rocks, Groves, Fountains and Grotto’s; amongst which will be disposed a Chorus of Nymphs and Shepherds, Habits, and every other Decoration suited to the Subject." Although successful, the three-act version was not as well received as Arne's production, as the mix of style and languages made the work oddly devised. Handel continued to make alterations to his 1732 version for successive performances up through 1741. He also gave performances of the original English work, adapting it into its two-act form in 1739. Handel's two-act English version is the basis for the form of the work that is most often performed today, although modern productions typically use a different arrangement from the one that he himself actually devised. The work became Handel's most widely performed dramatic work during his lifetime, and has had a number of revivals in various forms, enjoying frequent performances throughout the 18th, 19th, 20th, and 21st centuries. Notably in 1788,

rescored the work for his then-patron Baron Gottfried van Swieten. In 2014, City Wall Productions revived the opera for the Festival of Chichester, restaging it in a 1920s manor house, highlighting the struggle between morality and class in the period.

Roles

The cast of the 1718 version is unknown.

Synopsis

Since ''Acis and Galatea'' has been adapted many times, it is impossible to provide a single synopsis that accurately reflects every presentation of the work. The following is a synopsis for the typical two-act presentation of the work that is most often used for modern performances.

Act 1

Shepherds and

nymph A nymph ( grc, νύμφη, nýmphē, el, script=Latn, nímfi, label= Modern Greek; , ) in ancient Greek folklore is a minor female nature deity. Different from Greek goddesses, nymphs are generally regarded as personifications of nature, are ...

s enjoy "the pleasure of the plains".

Galatea Galatea is an ancient Greek name meaning "she who is milk-white". Galatea, Galathea or Gallathea may refer to: In mythology * Galatea (Greek myth), three different mythological figures In the arts * ''Aci, Galatea e Polifemo'', cantata by H ...

, a semi-divine

, is in love with the shepherd Acis, and tries to hush the birds that ignite her passion for him (Recit."Ye verdant plains" & Aria "Hush, ye pretty warbling quire!") Acis's close friend, the shepherd Damon, provides counsel to the lovers as they pursue each other. He sings a beautiful siciliana-style serenade, "Love in her eyes sits playing", upon their first meeting. The act closes with a duet by the young lovers, "Happy we", which is echoed by a chorus (not in the Cannons original).

Act 2

The opera shifts from its pastoral and sensual mood into an elegiac quality as the chorus warns Acis and Galatea about the arrival of a monstrous giant,

Polyphemus Polyphemus (; grc-gre, Πολύφημος, Polyphēmos, ; la, Polyphēmus ) is the one-eyed giant son of Poseidon and Thoosa in Greek mythology, one of the Cyclopes described in Homer's ''Odyssey''. His name means "abounding in songs and leg ...

, singing "no joy shall last". The fugal minor-key of the chorus's music along with the percussive lines in the lower instruments, indicating the heavy footsteps of the giant, provides an effective dramatic transition into the more serious nature of the second act. Polyphemus enters singing of his jealous love for Galatea, "I rage, I melt, I burn", which is in a part-comic furioso accompanied

recitative Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat ...

. This is followed by his aria "O ruddier than the cherry" which is written in counterpoint to a sopranino recorder. Polyphemus threatens force but is somewhat soothed by the impartial shepherd, Coridon ("Would you gain the tender creature"). Meanwhile, Acis ignores Damon's warning of the fleeting existence of love's delight ("Consider, fond shepherd") and responds with hostility and the determination to resist ("Love sounds th' alarm"). Acis and Galatea promise eternal fidelity to each other in what begins as a duet ("The flocks shall leave the mountains") but ultimately turns into a trio when Polyphemus intrudes and in a rage murders Acis. Galatea, along with the chorus, mourns the loss of her love ("Must I my Acis still bemoan"). The chorus reminds her of her divinity and that with her powers she can transform Acis's body into a beautiful fountain. The work closes with Galatea's larghetto air, "Heart, the seat of soft delight", in which she exerts her powers to enact the transformation, ending with the chorus celebrating Acis's immortalisation.

Recordings

Source
Recordings of ''Acis and Galatea'' on operadis-opera-discography.org.uk

References

;Notes ;Sources *Stanley Sadie. "Acis and Galatea", '' Grove Music Online'', ed. L. Macy (retrieved 1 April 2006)
grovemusic.com
(subscription access). *Winton Dean. "Handel's Dramatic Oratorios and Masques". Oxford: Oxford University Press, 1959.

External links

*
NMA
at the

Mozarteum Mozarteum University Salzburg (German: ''Universität Mozarteum Salzburg'') is one of three affiliated but separate (it is actually a state university) entities under the “Mozarteum” moniker in Salzburg municipality; the International Mo ...

( Score of Mozart's revision, KV 566, is in the supplement, series X group 28:1) {{DEFAULTSORT:Acis And Galatea (Handel) Operas by George Frideric Handel Works by John Gay English-language operas Pastoral operas 1718 operas 1732 operas Operas Operas based on Metamorphoses